Et Signum - SATB - 4'
Setting of Revelation 12:1-5, completing a set of three revelation motets (Et Signum, Et Civitas, Et Vidi Angelum). Composed December 2016
Three Anthems - SATB - 6'
Commissioned by Salisbury Cathedral Choir, 2016. First performance on 29th January 2017
On a Dream - SATB - 4'
Composed for Blossom Street Singers through the Royal Academy of Music 2016. A setting of 'On A Dream' by John Keats
A Prayer of St Francis of Assisi - SATB and ensemble (3 recorders, harpsichord, strings) - 8'
Co-commissioned by Sansara Chamber Choir and The Bate Players of Oxford University
Four Motets - SSATB - 4'-5' each
Senex Puerum Portabat, Ego Flos Campi, Super Flumina Babylonis, Victimae Paschali Laudes.
Composed Summer 2016. Recordings here
Et Civitas - SATB - 3'30"
Commissioned by Sansara Chamber Choir for performance in London, in September 2016
Marian Hymns - SATB - c.3' each
Alma Redemptoris Mater, Ave Sanctissima Maria, Ave Regina Caelorum, Ave Maris Stella.
First performance in Edinburgh by Voces Inauditae in December 2016. Subsequent performance of Alma Redemptoris Mater by Sansara Chamber Choir at Temple Church, London and St Peter's Stockbridge in late December 2016
Composed Summer 2016. Recordings here
Devouring Time, Blunt Thou the Lion's Paws - SSATB - 3'30"
Setting of William Shakespeare's Sonnet 19 for mixed voice choir. Performed by The Queen's College Chapel Choir in a concert celebrating musical settings of Shakespeare on 11th June, 2016
Eden is that old-fashioned house - SATB - 6'
Settings of Emily Dickinson poems commissioned by the Arcadian Singers for performance on 17th June 2016.
Published by Edition Peters. Copies available here.
Ubi Caritas et Amor - SATB - 3'30"
Composed 2012, revised March 2016. Published by Edition Peters. Copies available here.
Et Vidi Angelum - SATB - 3'
Commissioned by The Queen's College Chapel Choir for their CD A New Heaven in 2015
Tantum Ergo - SATB - 3'
Commissioned by the Edington Music Festival 2015. Broadcast on BBC Radio 3 from the 2015 Edington Festival of Music in the liturgy. Conducted by Jeremy Summerly. Published by Edition Peters in 2016. Copies can be purchased here. Recorded by Sansara Chamber Choir for their debut disc with Convivium Records. Live recording here
Ecce Quam Bonum - SATB - 3'
Winner of the 2105 Matthew Schellhorn Prize for Sacred Music Composition. Performed at St Mary Moorfields on Holy Saturday 2015
Tenebrae Factae Sunt - SSAATB - 3'
Commissioned by The Queen's College Chapel Choir, Oxford. A setting of the fifth verse of the Tenebrae responsories performed on 8th March 2015 in Queen's College Chapel
The Oxen - Double choir - 5'
Commissioned by Sansara chamber choir. Performed in Winchester on 3rd and 4th January 2015. Composed December 2014. Setting of Thomas Hardy's poem
Missa Brevis - SATB - 15'
Commissioned by Will Dawes and the choir of Mary Magdalen, Oxford. Performed on 8th February 2015 and 29th May 2016. Composed November 2014
I Vow to Thee - SATB - 6'
A setting of the patriotic Cecil Spring Rice poem. Commissioned by Sansara, performed in a concert of remembrance in November 2014. Composed in September 2014
Our Journey Had Advanced - SATB - 3'
A setting of Emily Dickinson's poem. Commissioned by Sansara Chamber Choir, performed in their series of concerts in September 2014. Performed at First Parish, Brookline, MA, under the direction of Keith Kirchoff in 2015
Memorare - SSA soloists and SATB - 5'
A piece composed for Remembrance Sunday 2014, sung by the Queen's College Chapel Choir in evensong (9th November 2014). Composed July 2014.
Published by Edition Peters. Copies available for purchase here
Bring us, O Lord God - SSAATB - 6'
Performed at evensong by The Chapel Choir of The Queen's College, Oxford on 15th June 2014. Composed March 2014
Vigilate - two SSA choirs + chamber organ - 40'
Performed 8th May 2014 by Voces Reginae of The Queen's College, Oxford. Composed December 2013
Lamentations of Jeremiah - SSATB - 10'
Performed by 8 members of The Queen's College Choir, Oxford, at the opening of the Queen's college upper library, 25th January 2014. First public performance given by The Queen's College Choir, Oxford on 8th March 2014. Composed November 2013. Performed by Sansara Chamber Choir under the direction of Jack Butterworth in a concert of music for Passiontide in Merton Chapel, on 19th March, 2016
Gethsemane - SATB - 10'
A Setting of Annette von Droste Hulshoff's poem of the same title. Workshopped by the BBC Singers in London on 18th April, 2016. Composed May 2013
Autopilot Saves Model S - Chamber Opera in One Act - 60'
Commissioned by Faded Ink Productions, Oxford. Collaboration with Leo Mercer (poet/librettist) exploring the theme of intelligent technology.
First performances in Oxford in June 2017, with a subsequent UK tour in Summer 2017.
Rothschild's Violin - Chamber Opera in One Act - 55'
Commissioned by New College Opera, Oxford, 2015. First performances in Oxford 12th/13th February 2016
At Ghosting Hour - Orchestra - 8'
Composed August-September 2017
Tangled Roots - Orchestra - 8'
Composed October 2016
Fading Sun - Orchestra - 10'
Commissioned by the Zeitgeist Chamber Orchestra March 2014 under the direction of Sam Poppleton. Composed in July 2014 in Bari, Italy. Workshopped by the Oxford Philomusica in February 2015. Revised October 2016
LARGE ENSEMBLE (MORE THAN 15 PLAYERS):
Unearthed - Chamber ensemble - 18'
Commissioned by Consortium Novum of the University of Oxford under the direction of Matthew Reese for performance on 10th March 2017
The Deserted House - Soprano and Chamber Orchestra - 9'
Composed for Helena Moore, 2016. Performed alongside 'The Snow Child' by Owain Park in a run of shows at the Edinburgh Fringe, 2016
Fragments of A Dream - Chamber Ensemble - 15'
Workshopped by Ensemble ISIS in February 2016
After the Rain - String Orchestra - 10'
Commissioned by the Oxford University String Ensemble. Performances in Oxford in November 2015
Glass Cathedrals - String Orchestra - 7'
Performed by members of the National Youth Orchestra of Great Britain at Tate Modern, London, as well as Derry and Belfast, August 2013
CHAMBER (UP TO 15 PLAYERS):
From Sarashina's Letters - Quintet (oboe, clarinet (dbl. bass clarinet), horn in F, trumpet in Bb, trombone) - 7'
Composed for CHROMA Ensemble through the Royal Academy of Music, 2016
Mountain Paths - Cello and Piano - 10'
Composed for Sarah Gait, April 2014, workshopped at Oxford University Music Faculty March 2015
Before Sunrise - Solo Piano - 5'
Commissioned by Matthew Schellhorn, 2015
Four Turner Sketches - Clarinet, Piano, String trio - 15'
Composed March 2014
Evocation - Ensemble - 5'
Performed by the New Music Ensemble of the JRNCM 2013 and work-shopped by the Manchester Camerata, January 2013
The Samurai - Solo Cello - 11'
Composed for and Performed by Sarah Gait at the RNCM, June 2012
This is my play's last scene - Baritone and piano - 5'
Commissioned by Rory Green, August 2016. A setting of John Donne's famous poem
The Still Midnight - Soprano and Harp - 6'
Settings of poetry by John Keats, commissioned by Helena Moore for performance in the Great Court of Trinity College, Cambridge, in June 2016
The World Flew By - Soprano and Piano - 10'
Composed for Helena Moore, August 2014. A collaboration with Leo Mercer based on Paul Klee's painting "The Twittering Machine". Performed in the Shulman Auditorium, The Queen's College Oxford, on 31st January 2015
I felt the sand under my feet - Soprano and Piano - 5'30"
Composed for Caroline Halls, July 2014. A setting of Takahasi Shinkichi's poem Beach Rainbow
The Listeners - Soprano and Piano - 7'40"
Composed December 2013 and workshopped at Oxford University Music Faculty March 2014
INCIDENTAL MUSIC AND FILM WORK:
Conjure - Piano and Electronics - 15'
Electronic score for 'Conjure', a new play written by Adam Leonard, with a run of shows in Oxford, May 2015
As I Crossed a Bridge of Dreams - Strings and Electronics - 50'
Multimedia score for a run of shows in the Burton Taylor studio in Oxford, in March 2015
His Dark Materials part 1 - Voices and Electronics - 26'
Musical score for a theatre adaptation of Philip Pullman's epic trilogy of the same title. Performed in a run of shows at the O'Reilly theatre in Oxford in October 2014. Directed by Madeleine Perham
His Dark Materials part 2 - Voices and Electronics - 30'
Electronic score for the second instalment of the Pullman trilogy, performed in a run of shows in Trinity Term, 2015 in Oxford
Let Your Hair Down - String Quartet and Electronics - 30'
Music score for the play of the same title written by Christine Foley and directed by Marcus Fender at the Burton Taylor Studio in Oxford. Run of shows in June 2014